Articles

• GANGSTER, GHOST, AND TRADITION: REPRESENTATION OF MARKET IN THREE INDONESIA FILMS

  Rido Budiman, Novita Puspahaty, Dian Puspita Sari

  1-20

  • pdf

  DOI : https://doi.org/10.33558/makna.v13i2.7148
  Abstract View: 21, pdf Download: 12
• KOLEK AS A TRADITIONAL BOAT OF NATUNA PEOPLE

  Destriyadi Destriyadi

  21-44

  • pdf

  DOI : https://doi.org/10.33558/makna.v13i2.7155
  Abstract View: 22, pdf Download: 8
• REPRESENTATION OF SOCIAL CRITICISM IN AN EPISODE OF INDONESIAKU TITLED “WE ARE THE ISOLATED ONES AT THE END OF THE COUNTRY”

  Yudha Asmara Dwi Aksa, Abdul Haris, Silfani Hariska

  45-67

  • pdf

  DOI : https://doi.org/10.33558/makna.v13i2.2439
  Abstract View: 20, pdf Download: 11
• MARKETING COMMUNICATION STRATEGIES FOR INCREASING THE SALES OF DIGITAL PRINTING PRODUCTS

  Hamluddin Hamluddin, Marcellino Daffa Arya Wibowo

  68-86

  • pdf

  DOI : https://doi.org/10.33558/makna.v13i2.7304
  Abstract View: 28, pdf Download: 17
• UNLOCKING THE POWER OF TOPHONETICS: INDONESIAN EFL LEARNERS' PERCEPTIONS ON PRONUNCIATION ENHANCEMENT THROUGH A PHENOMENOLOGICAL LENS

  Yulieta Aura Mustika, Aisyah Hamidiyah, Dhafid Wahyu Utomo

  87-99

  • pdf

  DOI : https://doi.org/10.33558/makna.v13i2.7170
  Abstract View: 23, pdf Download: 35
• TWITAUTOLOGY: NEOLOGISM IN K-POP FANBASE ON TWITTER

  Sheilma 'Arivah Zayyan, Elsa Lailatul Marfu'ah, Maharani Surya Samodra, Hanifah Nur Salsabilla, Chika Amalinda, Diah Ayu Istiqomah

  100-129

  • pdf

  DOI : https://doi.org/10.33558/makna.v13i2.7142
  Abstract View: 29, pdf Download: 9