Hajatan as a Musical Celebration in Urban Space
DOI:
https://doi.org/10.33558/makna.v14i1.8194Keywords:
Bekasi, Hajatan, Sonic Experience, Senses,Abstract
This research discusses the sonic experience, sense, and cultural production resulting from music and sounds at wedding celebrations (hajatan) in Bekasi urban spaces. Perspectives on differences in sonic experience, sense and cultural production are examined as a result of the reconstruction of the sounds, music and venue of the hajatan The aim of this research is to examine the differences and reconstruction of senses and sounds presented in different places but with the same theme, especially hajatan. Data was taken by observing the hajatan in the yard area and the wedding hall. Critical theory from Edensor's explanation of sonic rhythms of place is used to analyze sense, sonic experiences, music and sounds at hajatan The results of the research show that sound, music and place can create different senses, sonic experiences and different cultural productions. In this way, music and sounds are not only an accompaniment to the event, but also a means of presenting different senses and sonic experiences.
References
Bull, M. (2018). The Routledge companion to sound studies. In The Routledge Companion to Sound Studies. https://doi.org/10.4324/9781315722191
Corbin, J., & Strauss, A. (2012). Basics of Qualitative Research (3rd ed.): Techniques and Procedures for Developing Grounded Theory(ch.13_Writing theses, Monographs, and Giving Talks About Your Research). In Basics of Qualitative Research (3rd ed.): Techniques and Procedures for Developing Grounded Theory.
David, H. (2019). Embodiment and the senses. In The Routledge Companion to Sound Studies (pp. 24–34). https://doi.org/10.4324/9781315722191-4
Dwi Arini, S. H., Supriadi, D., & -, S. (2015). Karakter Musik Etnik Dan Representasi Identitas Musik Etnik. Panggung, 25(2). https://doi.org/10.26742/panggung.v25i2.7
Goshadze, M. (2022). The varieties of sonic experience: “Quiet” versus “not-noise” in a Ghanaian harvest festival. American Anthropologist, 124(1), 165–174. https://doi.org/10.1111/aman.13689
Hammersley, M., & Atkinson, P. (2019). Ethnography: Principles in Practice: Fourth Edition. In Ethnography: Principles in Practice: Fourth Edition. https://doi.org/10.4324/9781315146027
Khamis, S., & Keogh, B. (2021). Sonic branding and the aesthetic infrastructure of everyday consumption. Popular Music, 40(2), 281–296. https://doi.org/10.1017/S0261143021000118
Malpas, J. (2018). Place and Experience. In Place and Experience (Vol. 2). Routledge. https://doi.org/10.4324/9781315265445
Matsunobu, K. (2018). Music making as place making: a case study of community music in Japan. Music Education Research, 20(4), 490–501. https://doi.org/10.1080/14613808.2018.1433147
Permana, Y., Nalan, A. S., & Ridwan, I. (2020). Komodifikasi Musik Resepsi Pernikahan di Bandung. Pantun Jurnal Ilmiah Seni Budaya, 5(2), 173–183. http://www.hukumonline.
Popławska, M. (2020). Indonesian Music-Culture as a Personal and Research Experience. Ethnologia Polona, 39, 71–90. https://doi.org/10.23858/ethp39.2018.005
Priyatna, E. S. (2018). Interferensi Aural Dalam Lanskap Kota. In Makna (Jurnal Kajian Komunikasi, Bahasa, dan Budaya) (Vol. 3, Issue 2). https://doi.org/10.33558/makna.v3i2.1526
Putra, R. R., & Irwansyah, I. (2021). Peningkatan Awareness Skena Musik Independen Indonesia (Studi Konvergensi Media dan Do It Yourself). Journal of Education, Humaniora and Social Sciences (JEHSS), 3(3), 962–971. https://doi.org/10.34007/jehss.v3i3.549
Putri, R. C., & Sushartami, W. (2019). Produksi Budaya Dalam Wedding Planner Pada Masyarakat Urban. Jurnal Kawistara, 9(3), 267. https://doi.org/10.22146/kawistara.43156
Rinsema, R., & Edwards, J. (2021). Exploring sonic meaning and embodiment in human cultural transmission from a pedagogical perspective. Frontiers in Communication, 6. https://doi.org/10.3389/fcomm.2021.671486
Sidik, E. J., & Utomo, D. W. (2022). Investigating the Effects of Urban-Rural Distinctions and Household Economic Backgrounds on Young People’S Attitudes. Makna: Jurnal Kajian Komunikasi, Bahasa, Dan Budaya, 10(1), 59–78. https://doi.org/10.33558/makna.v10i1.3229
Sugiati, E. (2017). Persepsi masyarakat terhadap musik elektone (Studi pesta pernikahan pada masyarakat Makassar). In Skripsi.
Thie, A., Freitag, J., Spitzer, K., Zeumer, H., & Kunze, K. (1992). Vertebrobasilare Ischamie. Stellenwert Der Doppler-Sonographie in Der Akutphase. Nervenarzt, 63(6), 341–346.
Wardhana, R., Susanto, S., & Warto, W. (2020). Classification of Wedding Entertainment Music in Social Context in Surakarta. https://doi.org/10.4108/eai.20-9-2019.2296723