TWITAUTOLOGY: NEOLOGISM IN K-POP FANBASE ON TWITTER

Authors

  • Sheilma 'Arivah Zayyan UIN Raden Mas Said Surakarta
  • Elsa Lailatul Marfu'ah English Letters Department, UIN Raden Mas Said Surakarta
  • Maharani Surya Samodra English Letters Department, UIN Raden Mas Said Surakarta
  • Hanifah Nur Salsabilla English Letters Department, UIN Raden Mas Said Surakarta
  • Chika Amalinda English Letters Department, UIN Raden Mas Said Surakarta
  • Diah Ayu Istiqomah UIN Raden Mas Said Surakarta

DOI:

https://doi.org/10.33558/makna.v13i2.7142

Keywords:

Fandom, K-Pop, Neologism

Abstract

Every fandom has a unique pattern of language usage to communicate with one another. Different fandoms, of course, affect their language patterns respectively, because the neologisms that are formed can represent the identity of each fandom. K-Pop fandom itself has a wide community all over the world that is connected through a virtual network. Twitter is a virtual data network platform used by many members of the K-Pop fandom. To find out about at what level neologism in K-Pop fandom on Twitter is formed, the data are collected by sampling tweets of Twitter users who are part of three K-Pop boy group fandom namely Seventeen, Stray Kids and Treasure, who use Vocabulary, Orthography, Grammar and Pragmatic in their tweets using descriptive qualitative methods. The findings reveal that some language aspects in K-Pop fandom share different knowledge from the regular language. The results show that the K-Pop fandom community tend to create neologisms based on the identity of the specific idol they like, not only within the K-Pop fandom itself, which makes it unique. This research provides insight that neologism exists in the K-Pop fandom community on twitter to provide the community members an easier way to communicate without having to explain the context.

References

Ahmad, K. (2000, August). Neologisms, nonces and word formation. In Proceedings of the Ninth EURALEX Intern ational Congress (p. 71).
Crystal, D. (2011). Internet linguistics: A student guide. Routledge.
Fari, H. A., & Abdullahi, A. A. A. (2020). New Media Discourse and Lexicalization in English: An Analysis of Selected Neologisms from Twitter. Lafiya Journal of Arts, 5(1), 26–35.
Gerrig, R. J., & Gibbs Jr, R. W. (1988). Beyond the lexicon: Creativity in language production. Metaphor and Symbol, 3(3), 1-19.
Grandjean, M. (2016). A social network analysis of Twitter: Mapping the digital humanities community. Cogent Arts & Humanities, 3(1), 1171458. https://doi.org/10.1080/23311983.2016.1171458
Hamdan, H. J., & Al-Salman, S. (2021). The Use of Arabic Neologisms in Social Media Applications. International Journal of Arabic-English Studies (IJAES), 21(1). https://doi.org/10.33806/ijaes2000.21.1.3
Handabura, O. K. S. A. N. A. (2020). Social Media Neologisms in Contemporary English of Social Networks: a Case of Facebook and Twitter Language. Філологічний дискурс.
Jang, W., & Song, J. E. (2017). The Influences of K-Pop Fandom on Increasing Cultural Contact. Korean Association of Regional Sociology, 18(2), 28.
Java, A., Song, X., Finin, T., & Tseng, B. L. (2007). Why we twitter. Knowledge Discovery and Data Mining. https://doi.org/10.1145/1348549.1348556
Jenkins, H. (2022). Fans, Bloggers, and Gamers. Fans, Bloggers, and Gamers. https://doi.org/10.18574/nyu/9780814743690.001.0001
Katz, L., & Frost, R. (1992). The reading process is different for different orthographies: The orthographic depth hypothesis. In Advances in psychology (Vol. 94, pp. 67-84). North-Holland.
Kim, E. Y. J. (2016). Anglicized Korean Neologisms of the New Millennium: An Overview. In English Today (Vol. 32, Issue 3). https://doi.org/10.1017/S0266078416000250
Laffan, D. A. (2021). Positive psychosocial outcomes and fanship in K-Pop fans: A social identity theory perspective. Psychological Reports, 124(5), 2272-2285.
Liu, W., & Liu, W. (2014). Analysis on the word-formation of English netspeak neologism. Journal of Arts and Humanities, 3(12), 22-30.
Malik, Z., & Haidar, S. (2020). Online community development through social interaction — K-Pop stan twitter as a community of practice. Interactive Learning Environments. https://doi.org/10.1080/10494820.2020.1805773
MAROS, M., & BASEK, F. N. A. (2022). Building Online Social Identity and Fandom Activities of K-Pop Fans on Twitter. 3L: Southeast Asian Journal of English Language Studies, 28(3).
Meinawati, E., Violita, M. V., Putra, O. P., Setianingrum, H. W., Alawiyah, S., & Chodidjah, C. (2021). Abbreviation Used by Indonesian K-Pop Fans on Twitter. VELES: Voices of English Language Education Society, 5(1), 54-65.
Mworia, R. M. (2015). Use of English Neologism in Social Media: A Case of Twitter Language in Kenya. October, 106. http://erepository.uonbi.ac.ke/handle/11295/93589
Sang-Cheol, A., & Egorova, K. (2021). Morpho-Phonological Patterns of Recent Korean Neologisms. Proceedings of the Conference on Current Problems of Our Time: The Relationship of Man and Society (CPT 2020), 531. https://doi.org/10.2991/assehr.k.210225.012
Smutradontri, P., & Gadavanij, S. (2020). Fandom and identity construction: an analysis of Thai fans’ engagement with Twitter. Humanities and Social Sciences Communications, 7(1), 1-13.
Spradley, J. P. (2016). The ethnographic interview. Waveland Press.
Wood, M. M., & Baughman, L. (2012). Glee fandom and Twitter: Something new, or more of the same old thing?. Communication Studies, 63(3), 328-344.
Würschinger, Q., Elahi, M. F., Zhekova, D., & Schmid, H.-J. (2016). Using the Web and Social Media as Corpora for Monitoring the Spread of Neologisms. The case of “rapefugee”, “rapeugee”, and “rapugee”. 35–43. https://doi.org/10.18653/v1/w16-2605
Yus, F. (2011). Cyberpragmatics: Internet-mediated communication in context. John Benjamins Publishing Company.
Zappavigna, M. (2012). Discourse of Twitter and social media: How we use language to create affiliation on the web (Vol. 6). A&C Black.

Downloads

Published

29-08-2023